Description

A tall, elegantly elongated white-glazed ceramic bottle vase with a distinctive squared-off stopper top and a long swan neck body rising from a rounded base. Signed on the bottom in script: 'Anne M. Lindstrom 1987-' with a small artist mark, making this a documented, dated studio art piece. The creamy white crackle glaze catches light beautifully and the sculptural form is pure mid-century modernist drama. A genuine signed collectible from a named artist — not just a pretty bottle.

A sleek, matte black ceramic vase with an organic, flattened pebble or moon shape — wide and disc-like when viewed from the front, revealing a narrow tulip-split opening at the top when viewed from the side. The unglazed foot ring is clean white bisque, and the matte black finish is smooth and deeply modern. No visible maker marks. This piece has the cool confidence of a Scandinavian design object and would look devastating on a minimalist shelf.

A hand-thrown stoneware cylinder vase with a rich olive-green ash glaze over the upper two-thirds and a raw, textured natural stoneware body below, separated by a dramatic drip line of russet red. The upper section features an applied decorative medallion with a ribbed, circular motif — a bold artisan statement. A small hole near the rim suggests possible hanging or decorative intent. An earthy, expressive studio piece full of character.

A two-part stacked ceramic vase with a dramatically flared upper section glazed in a deep, mottled charcoal and blue-grey, topped with a vivid cobalt blue rim stripe. The lower cylinder section is left in a soft, unglazed warm grey stoneware. The bottom is impressed with a maker stamp reading 'Harris' or similar. A thoughtfully designed vessel that plays opposites beautifully — raw meets refined, dark meets light.

A triple-fused planter or ikebana-style vessel made of three conjoined round bowls arranged in a trefoil cluster, each with a small drainage hole in the base. The exterior is covered in a rich, variegated dark green and black glaze with dramatic pooling and movement. The interiors are unglazed warm terracotta-toned stoneware. A truly unusual and functional sculptural object — equal parts garden art and gallery piece.

A small unglazed stoneware sphere or orb with concentric carved or impressed ring lines swirling across its surface in a fingerprint-like pattern. The natural grey stoneware clay is left completely raw and unglazed, allowing the texture and hand-worked marks to take center stage. A meditative, tactile object — part zen garden accessory, part sculptural curiosity.

Condition

Please note all items are "as-is where-is"

Measurement

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